第二个和第三个妈妈0.0

雷磊导演在2022年拍摄的动漫《第二个和第三个妈妈》又叫《Silver Bird and Rainbow Fish/宁都/银鹟与彩虹鱼》

　　“Our family is special”, says filmmaker Lei Lei’s father Lei Jiaqi. On the audio track of this inventive, poignant essay film he starts to talk about the struggles of his family, amid China’s troubled times of the 1960s. When his own father, Lei Ting, is sent to the countryside, he stays behind with his sister and his ill mother. When Mum passes away, and the system forbids Ting to come back to live with his children, the kids are kept in an orphanage.
　　Not long after, history repeats itself: once again, Ting is sent to a re-education centre, branded a class traitor – this time because of a new political movement. The family is split. All they can do is write to each other. The daughters are older and going to university, while Jiaqi and his new mother are sent to the countryside. They all wait to be reunited one day.
　　For the images, the director mixes and reinvents materials, including brightly coloured clay puppets, propaganda images, surrealist collage, and pop-art animation. The animation is an imagined and fantastic representation of what happened to the family at the time: locked in cages, Jiaqi and his sister become birds, and Ting – as half bird, half man – can also fly.
　　Although the turbulent recent history of China is the thread running through this film, the strong, vivacious family takes the foreground. Silver Bird and Rainbow Fish is an ode to family, memory, and the reconstruction of family history in the History of China.

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游客2022-07-15
剧情松散节奏拖沓

游客2022-07-15
　　“Our family is special” says filmmaker Lei Lei’s father Lei Jiaqi. On the audio track of this inventive poignant essay film he starts to talk about the struggles of his family amid China’s troubled times of the 1960s. When his own father Lei Ting is sent to the countryside he stays behind with his sister and his ill mother. When Mum passes away and the system forbids Tin...

游客2022-07-15
2022鹿特丹金虎奖入围（HBF基金项目）。散文电影，雷磊跟潘礼德真可以PK一下做手工和用档案…整部片子动画部分画风上比较接近雷磊在《三缺一》及《大手》等早一点的作品中的风格（但用到了橡皮泥定格动画），档案部分则是近年几部作品《动物方言》《公园日记》的方法，包括画报-目录-影像的foundfootage拼贴、家人对话录音等（这部父子对话确实让人想起波蓝波宇的《重赛的重读》）。连着《公园日记》看，其...

游客2022-07-15
创意和内容有了，力量还是不够，从亲身经历的那一代父母口里听了太多，再看别人的故事就觉得不算什么了，也麻木了。

游客2022-07-15
睡着了……碎片化的信息和叙事承受不住各式表达